24
February
2011
María Mencía is an artist and Senior Lecturer in Digital Media at Kingston University. She holds a PhD in Digital Poetics and Digital Art by the University of the Arts, London. She studied English Philology at the Complutense University in Madrid, Fine Art and History and Theory of Art at the University of the Arts London. Mencía’s practice-led research questions the mark as a meaningful and visual form, phonemes as ‘semantic’ units, the creation of new meanings in mediated textualities of image-sound-text. It draws from different cultural, artistic and literary traditions such as: linguistics, fine art, visual, concrete and sound poetry, with digital poetics, electronic writing, and new media art theories and practices.
Her practice in experimental, textual, generative and sound poetics is in collections such as the First volume of the Electronic Literature Collection, K. Hayles, N. Montfort, S. Rettberg, S. Strickland eds. The Electronic Literature Organization, UCLA Department of English, Los Angeles, as well as, in various e-lit and e-poetry databases at research centres, and has been exhibited at art galleries, international conferences and festivals such as ISEA, FILE, BEAP, onedotzero, Caixaforum, ICA and TATE Modern.
Her she discusses Open Meaning in Digital Writing
coventryuniversity
Coventry University, Open Media
Comments (0) » |
23
February
2011
On Monday 21 February, Malcolm Woollard, Professor of Pre-hospital and Emergency Care from the Faculty of Health and Life Sciences at Coventry University, gave a Professorial Lecture about the use of the ‘kiss of life’ and why some experts in 1998 controversially recommended that mouth-to-mouth training be removed from public classes.
coventryuniversityjon
Coventry University, Professorial Lecture Series, Healthy Debates
Comments (0) » |
23
February
2011
He made his first Panorama in 1999. Paul has reported on Gap and Nike breaking anti-sweatshop rules in Cambodia. In 2006 his investigation into a bail hostel revealed serious criminals were not being properly monitored after release. In 2000, he was given his own BBC One series, Kenyon Confronts, a program which hit the headlines in its very first run.
coventryuniversityjon
Coventry University, Coventry Conversations
Comments (0) » |
23
February
2011
In 2009 Phil purchased a number of heritage Midlands stations, including BRMB, Beacon, Mercia and more, Phil now runs the stations as CEO of Orion Media. Steve’s career highlights include high profile radio station launches and re-launches. Last year he set up a company which now owns six Midlands based stations.
coventryuniversityjon
Coventry University, Coventry Conversations
Comments (0) » |
22
February
2011
Benjamin Chesterton is a documentary producer for BBC radio 4 as well as forming half of 'Duckrabbit' productions and blog. Here Benjamin talks to students about the use of stills images alongside audio and video in Robert Gumpert's work in San Francisco jails as well as 'Open Eye: Lebanon's Missing', a documentary Benjamin produced, working with photographer Dalia Khamissy to tell the story of the thousands of people kidnapped during the Lebanese civil war.
Click here for more information
The Photographic Mediations Podcasts are brought to you by the Photography Course in the Department of Media and Communication at Coventry University.
cuphotography
Coventry University, Photography
Comments (0) » |
22
February
2011
The Headington Shark at 25; a brief history. The Shark became the most famous resident of Headington when it landed in the roof of 2 New High Street in the early hours of Saturday 9th August 1986.
coventryuniversityjon
Coventry University, Coventry Conversations
Comments (0) » |
22
February
2011
Jim was a founding member of The Independent in 1986 and worked there for a decade before moving to The Guardian. He won sports columnist of the year during his time there and established himself as one of the most well-respected sports journalists. He now writes for the Daily Telegraph as a regular columnist on sport, arts and other matters.
coventryuniversityjon
Coventry University, Coventry Conversations
Comments (0) » |
14
February
2011
Reuse, remix, remediation, and various other inventions of the “re” are an emblematic part of contemporary digital culture. This talk gives an insight into how we can reimagine media archaeology as an artistic methodology of circuit bending and reinventing old media into new uses – something we refer to as “zombie” media instead of dead media. The talk addresses how the methodologies of reuse and opening up old technology can be seen as crucial artistic methodologies to address the political economy of closed consumer technologies – and how this links up with the ecological crisis of information waste. The talk is based on the text co-written by Garnet Hertz and Parikka, and nominated for the Transmediale 2011 Media Theory Award.
Dr Jussi Parikka is Director of the Cultures of the Digital Economy research institute at Anglia Ruskin University, Cambridge. He is Reader in Media Studies (Anglia Ruskin) and Adjunct Professor of Digital Culture Theory (University of Turku, Finland). Parikka is the author of Digital Contagions: A Media Archaeology of Computer Viruses (2007) and Insect Media (2010). His co-edited books include The Spam Book (2009) and the soon forthcoming Media Archaeology (2011). Currently he is writing a new book that investigates the new interpretations and theories of media archaeology. More information: http://www.jussiparikka.com.
The Open Media Talk Series is brought to you by the Department of Media and Communication at Coventry University
coventryuniversity
Coventry University, Open Media
Comments (0) » |
9
February
2011
Professor David Campbell discusses the new ecology of information and how social media is challenging Universities as part of the Open Media Lecture Series at Coventry University
cuphotography
Coventry University, Open Media
Comments (0) » |